HOW EXACTLY TO Win Buyers And Influence Sales with ANTIQUE FLOOR LIGHTS

First why don’t we define antique floor lamp. Needless to say a floor lamp normally rests upon the ground as opposed to resting upon a table, the wall or the ceiling. The general definition of an old-fashioned means something from the bygone era. This places the word beyond your legal arena and into common usage. “era” is general perceived and is defined as a long indefinite time frame which also computes perfectly for this general definition.

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This general definition works perfectly since any identification of an “antique floor lamp” is fairly useless without some time period designation normally by means of circa 1905 which literally means “about the year 1905”. So I use the word antique floor lamp on this basis and often substitute it with the word vintage floor lamp. This discussion does not address modern reproductions of antique lamps which is another subject to itself.

Increasing numbers of people are learning to appreciate the quality and styling of antique floor lights especially as most of the people being produced today are molded plastic and literally made to be disposed of. Most all floor lamp makers from the turn of the century made their lamps from heavy metals such as cast iron, brass, steel and cast zinc sometimes coupled with marble, onyx, glass and stone. daybed measurements Our lamp shop regularly restores these antique floor lamps for resale as well as for our customers’ own use.

From our 30 years of experience it is clear that many of these antique floor lamps will last since way back when. The electrical components, the fabric shades and the painted finishes often need restoration but most were made out of such fine quality, that they are a far greater value than brand new high end lamps that sell for most hundreds of dollars. You will find some other surprises about these collectible artwork below.

Top quality, beauty and function were powerful influences on the makers of antique floor lights. Many people are aware of their outstanding quality and beauty but completely surprised about the highly developed functional and technical characteristics. There are far too many examples to list here but I’ll mention several the more important ones.

The brightest lamp you can purchase today in virtually any store was designed and made circa 1920. Additionally it is the most versatile lamp that you could buy anywhere. Further it will outlast most any modern lamp that you may find at any price. This antique floor lamp is known by a numerous names such as for example: 6 Way Floor Lamp, Reflector Floor Lamp, and “JUNIOR”. The design begins with a heavy metal base sometimes highly decorated having an upright tubing leading up to a central electrical socket surrounded by 3 arm lights (4 lights total).

The central light takes a 3 way bulb (low-medium-high) that’s often a MOGUL size that is larger than a typical socket with higher wattage (100-200-300 watts). The three arm lights are controlled by a switch that can turn on separately just 1, 2 or all 3 of the arm lights. Further, many of these JUNIORS had a little light under the base which provided a very subtle nighttime floor light operated by a foot switch mounted on the medial side of the base.

As if this were not enough, the central top socket is encased in a large metal cup which holds a white waffle patterned glass bowl that reflects light upward to bounce of the ceiling. A fabric or silk shade (also known as JUNIOR shade) rests upon the glass reflector bowl to reflect light downward for reading. An individual arm light can provide a simple night light or at it brightest setting, it could light up a whole room. There is no brighter lamp or more versatile lamp available anywhere today and it was designed and made nearly 100 years ago!

Among the finest reading lamps on the globe was also designed circa 1920. It’s been highly imitated nonetheless it still remains unchallenged. The Bridge Arm Floor Lamp or Bridge Lamp has a typical floor lamp design with metal base and upright standard that may take the form of varied forms of decorated tubing, twisted iron rods, etc. At the top of the standard is a decorative cast metal arm with a graceful arc or curvature which ends having an electrical socket pointing downward and included in a fabric or glass shade.

This has the result of offsetting the light by about 14-18″ from the upright standard at the same time lowering it in order that it is closer to the reading material or work project. The effect is a superb reading lamp or work lamp which places the light bulb very near the task accessible. Several Bridge Arm Floor Lamps have convenient pull chains which hang below the bottom of the lamp shade for ease of operation.